The Bardi are delighted to announce the Young Musician Competition 2022 is now open for applications!
With a chance to perform live with the Bardi Symphony Orchestra, this is a must for any aspiring musician aged 18 or under, and an opportunity for audiences to meet the next generation of classical musicians from Leicestershire and Rutland.
Ten years on from the first Young Musician concert, in 2022 the competition is being relaunched and will now be open to young players of any orchestral instrument (strings, wind, brass and percussion) so if you or someone you know would like to take part, apply today!
After eighteen months of enforced silence the Bardi Symphony Orchestra are back with an enticing season of varied concerts appealing to all tastes. Their season opens in style in October with a blockbuster symphonic programme featuring not one but two soloists. The concert opens with Elgar’s sumptuous arrangement of Bach’s Fantasia and Fugue in in C minor. Former Bardi Young Musician Amalia Young joins the orchestra for a performance of Mendelssohn’s ever-popular violin concerto and, in the second half, the renowned De Montfort Hall Organ springs into life with a performance of Saint-Saëns ever-popular Organ Symphony featuring organist David Cowen.
November brings an afternoon of ‘Stage and Screen Favourites’. Join Claus Efland and the Orchestra for a lightening tour through decades of film and musical memorables. For an early spring Sunday afternoon treat, in March join the Bardi for ‘Fantasy and Adventure’ and immerse yourself in familiar but other-worldly sounds and let your imagination run riot. The programme opens with the mischievous Sorcerer’s Apprentice followed by the Suite from the tuneful and playful ballet Les Biches. The second half features Rimsky-Korsakov’s powerful Scheherazade portraying the timeless love story of the young Prince and Princess.
In ‘The Essence of Elgar’ the Bardi’s De Montfort Hall season finale sees three works showing the different sides of one of England’s greatest composers, Sir Edward Elgar. The first half has the delightful String Serenade contrasting strongly with the passionate and powerful Cello Concerto. The mighty First Symphony brings the concert to a magnificent conclusion with one of Elgar’s most inspired themes.
For the fifth in our series of interviews the focus turns to David Calow, conductor of the Bardi Wind Orchestra. David was born and educated in Leicestershire, receiving his early musical training from the Leicestershire School of Music and played flute and piccolo in The National Youth Wind Orchestra from 1978-84. David became Music Director and Conductor of the Bardi Wind Orchestra in 1995 and has conducted every concert since. In 2007 he was appointed Associate Conductor of the Rutland Sinfonia and has continued to develop the adventurous concert programming with the orchestra. In January 2015 David was appointed Music Director and Conductor of the Clarendon Park Orchestra, an enthusiastic group of local musicians. As well David’s a wide-ranging interest in classical music, the interview features music from another of his great interests, music theatre. In 1995 he was appointed Music Director of the I.D.O.L.S Operatic Group in Leicester for their Little Theatre production of South Pacific. Over the following ten years he directed shows including Seven Brides for Seven Brothers, Mack and Mabel and Kiss Me Kate.
To hear David’s selected pieces you can pause the video and listen to the music in the Spotify player below. Alternatively, click here to watch the video on YouTube where you can find links to all the pieces in the video description.
We’re pleased to bring you two performances from the Bardi’s recent play day on July 10th at Holy Trinity Church, Leicester. Bardi Wind Orchestra conductor David Calow opens with Mendelssohn’s rarely heard Overture in C major for Winds and Orchestra Leader Adam Summerhayes follows with Elgar’s sumptuous Serenade for Strings. Concert recording courtesy of the wonderful team at Holy Trinity Church.
The Bardi’s 2021-22 season officially launches on 13th August – just two weeks to go! We can’t wait to bring back more live music to Leicester very soon!
Concert introduced by Orchestra Manager, Robert Calow.
Bardi Wind and Brass Felix Mendelssohn – Overture in C Major for Winds Op.24 Conductor, David Calow.
Bardi Strings Edward Elgar – Serenade for Strings in E Minor Op.20 Conductor, Adam Summerhayes I. Allegro piacevole II. Larghetto III. Allegretto – Come prima
Collectively, the instruments of the Bardi Symphony Orchestra fell silent after a wonderful workshop day last October. Attempts were made to hold further workshops in February and March but these were thwarted by lockdown restrictions so it was with great excitement (and not a little trepidation!) that players got together again just nine months to the week later in July and in the covid-secure surroundings of a very welcoming Holy Trinity Church, Leicester.
Well over 50 players, divided into two groups, wind and stings because of space constraints, got together to rehearse pieces specifically for those two groups: Mendelssohn’s Overture for Winds and Elgar’s Serenade for Strings. Sadly MD Claus Efland could not travel from Berlin because of quarantine restrictions but Orchestra Leader Adam Summerhayes (strings) and Bardi Wind Orchestra Conductor David Calow (wind) very capably put players through their paces (to the evident satisfaction of Claus who was watching via a special link from Berlin!).
Feedback received by Orchestra Manager Robert Calow afterwards gave a big thumbs up to the Bardi board for all the organisation which went into arranging the day. All eyes are now on our first rehearsals for the 2021-22 season which begin in September with the new season to be announced very soon!
The Bardi Interviews continue as we meet the Orchestra’s Chair Jane Hanson. An enthusiastic member of the first violin section, Jane joined the orchestra on moving to Leicester in 2017 and became Chair of the Orchestra in December 2020. Like many of the Bardi’s players she trained as a professional musician but chose to pursue a career elsewhere. She started in accountancy but more recently has been a Chairman, Non-Executive Director and Audit and Risk Committee Chair in a number of businesses and has over 25 years experience working at Board level in FTSE 100, regulated, typically financial sector organisations. In addition, she is the Honorary Treasurer and a Trustee of the Disasters Emergency Committee, a global humanitarian charity and is also a magistrate. Jane’s playlist choices are wide-ranging and reflective of a lifelong passion for all kinds of music.
To hear Jane’s selected pieces you can pause the video and listen to the music in the Spotify player below. Alternatively, click here to watch the video on YouTube where you can find links to all the pieces in the video description.
The Bardi Symphony Orchestra’s founder Dr Andrew Constantine moved to the USA in 2004 but was recently back in the UK to adjudicate at the prestigious Donatella Flick Conducting Competition (of which he was the first winner in 1991) in London. Andrew’s career in the USA began as Assistant Conductor of the Baltimore Symphony Orchestra and he is now Music Director of the both the Fort Wayne Philharmonic Orchestra and the Reading Symphony Orchestra.
Andrew and his wife Jane remember their time in Leicester with great fondness and were keen to catch up with old Bardi friends. Orchestra Manager Robert Calow managed to organise an ad-hoc gathering and rounded up some of Bardi’s original members for a great afternoon of reminiscences in the garden of Zeph’s café in Oadby before Andrew and Jane jetted off back to the USA.
For the third of our Bardi Interviews the spotlight is turned on our Orchestra Manager Robert Calow. Lynchpin of the orchestra’s activities, and well-known in Leicester and Leicestershire music circles, Robert received his early musical training on the Clarinet at the Leicestershire School of Music and then with the National Youth Wind Orchestra from 1978-84. He joined the Bardi Symphony Orchestra in 1988 and is also in great demand playing with several local orchestras including the Rutland Sinfonia, Knighton Chamber Orchestra and the wind ensemble Musicamici. In 1992 Robert, together with his brother David, founded the Bardi Wind Orchestra. He has held the post of Orchestra Manager of both ensembles for over 30 years. John Florance discussed his life, career and wide-ranging musical tastes from Wagner and Elgar to 1960’s TV themes and Rick Wakeman!
To hear Robert’s selected pieces you can pause the video and listen to the music in the Spotify player below. Alternatively, click here to watch the video on YouTube where you can find links to all the pieces in the video description.
As a sneak peak at what is to come in the Bardi’s 35th concert season from October 2021, here is a snippet of the Bardi’s workshop on Elgar’s First Symphony back in February 2020, weeks before the world ground to a halt. The orchestra perform the finale to the symphony under the baton of Musical Director Claus Efland at Holy Trinity Church, Leicester.
The new 2021-22 season will be announced soon. Hopefully we can bring back the energy and excitement of live music to Leicester audiences in the autumn!
Our Timpani are top of the range Premier Elite instruments, but they are twenty-five years old and have given sterling service over that time. One of the things that we, in common with many other orchestras, have been looking at over the lockdown months is the need for refurbishment; just as one’s GP sends out an invite for a health MOT, or the family car needs a service, so did our timps!
Through the good offices of our percussion team, a range of repairs and improvements have been carried out. After careful examination we were sent some very startling photos of the somewhat decrepit insides of the instruments and some very sensible suggestions for repair and upgrade. Maybe some little good has come out of the pandemic – we would have found it difficult to fit in a trip to the repairers for those timps if we had been undertaking our usual programme.
Thanks to the generosity of the T S Shipman Trust and some of our other supporters who contributed to the refurbishment of the timpani, they are now back and looking good for another 20 years. The repairer has done an outstanding job and our Orchestra Manager failed to recognise them when they were returned. To finish our percussion spruce-up we felt it necessary to purchase new covers for some of the other instruments and a new chair for our timpanist – the old one had a very high mileage and was in danger of becoming a health and safety hazard!
If you would like to support the orchestra to help with similar projects, please do get in touch and join the Bardi family.